The following is a partial list of concertos by Joseph Haydn (1732–1809). In the Hoboken catalogue of Haydn's works, concertos for most instruments are in category VII which a different letter for each solo instrument (VIIa is for violin concertos, VIIb is for cello concertos, etc.). The exceptions are the concertos for keyboard and for baryton which are placed in categories XVIII and XIII, respectively.

Ibert Flute Concerto Program Notes. Marcel Moyse at a dinner party after the premiere of Ibert’s famous Flute Concerto. Program Notes: Jacques Ibert. Ibert: Escales, Flute Concerto, Paris, Bacchanale. Notes & Editorial Reviews Works on This Recording Customer Reviews. Concerto for Flute by Jacques Ibert. Ibert: Escales, Flute Concerto, Paris, Bacchanale. Notes & Editorial Reviews Works on This Recording Customer Reviews. Concerto for Flute by Jacques Ibert.

For violin[edit]

  • Violin Concerto No. 1 in C major, Hob. VIIa:1 (ca. 1765)
  • Violin Concerto No. 2 in D major, Hob. VIIa:2 (1765, lost)[1]
  • Violin Concerto No. 3 in A major, Hob. VIIa:3 'Melker Konzert' (ca. 1770)
  • Violin Concerto No. 4 in G major, Hob. VIIa:4 (1769)

Other Concertos (Hob. VIIa:A1/B1/B2/D1/G1) are not authentic, i.e. are not by Joseph Haydn.

- D1 - Concerto, en ré majeur, pour violon et orchestre (2 hautbois, 2 cors, 2 violons, alto et basse) (work by Carl Stamitz?)
- G1 - Concerto, en sol majeur, pour violon et cordes (2 violons, alto et basse) (work by Michael Haydn?)
- A1 - Concerto, en la majeur, pour violon et … (work by Giovanni Mane Giornovichi?)
- B1 - Concerto, en si bémol majeur, pour violon et cordes (2 violons, alto et basse) (by Michael Haydn)
- B2 - Concerto, en si bémol majeur, pour violon et cordes (2 violons, alto et basse) (by Christian Cannabich)

For violoncello[edit]

  • Cello Concerto No. 1 in C, Hob. VIIb:1 (1761-5)
  • Cello Concerto No. 2 in D, Hob. VIIb:2 (Op. 101) (1783)
  • Cello Concerto No. 3 in C, Hob. VIIb:3 (lost)[1]
  • Cello Concerto No. 4 in D, Hob. VIIb:4 (spurious, written by Giovanni Battista Constanzi in 1772?)
  • Cello Concerto No. 5 in C-Major, Hob. VIIb:5 (spurious, written by David Popper in 1899)[2]

For violone (double bass)[edit]

Internotes
  • Violone Concerto in D, Hob. VIIc:1 (lost; may have been burned and destroyed?)[1]

For horn[edit]

  • Horn Concerto in D major, Hob. VIId:1 (lost)
  • Concerto for Two Horns in E flat, Hob. VIId:2 (lost)
  • Horn Concerto No. 1 in D, Hob. VIId:3, 1762
  • Horn Concerto No. 2 in D, Hob. VIId:4 (doubtful; possibly by Michael Haydn), 1781
  • Concerto for Two Horns in E flat, Hob. VIId:6 (attrib.; maybe Hob. VIId:2?)

For trumpet[edit]

  • Trumpet Concerto in E flat, Hob. VIIe:1, (1796)

For flute[edit]

  • Flute Concerto in D, Hob. VIIf:1, (lost, 1780?)[1]
  • Flute Concerto in D, Hob. VIIf:D1 (spurious, by Leopold Hoffman)

Haydn also wrote several more concertos, which have all been lost.

Amazon Haydn Complete Concertos

For oboe[edit]

Ibert Flute Concerto Program Notes

  • Oboe Concerto in C major, Hob. VIIg:C1 (1790?) (doubtful, possibly by Ignaz Malzat)

For 2 lire organizzate[edit]

These concertos were written for Ferdinand IV, King of Naples whose favorite instrument was the lira organizzata[3] -- an instrument similar to the hurdy-gurdy. Modern performances use flute and oboe (or two flutes) as the soloists.

  • Concerto No. 1 in C major, Hob. VIIh:1, (1786)
  • Concerto No. 2 in G major, Hob. VIIh:2, (1786)
  • Concerto No. 3 in G major, Hob. VIIh:3, (1786) 'Romance' movement later adapted to become the 'Military' movement of Symphony No. 100
  • Concerto No. 4 in F major, Hob. VIIh:4, (1786)
  • Concerto No. 5 in F major, Hob. VIIh:5, (1786) second and third movement later adapted to be part of Symphony No. 89

For baryton[edit]

There are 3 concertos for baryton known but lost or have doubtful authenticity.

  • Concerto for baryton in D, Hob. XIII:1 (before 1770)
  • Concerto for baryton in D, Hob. XIII:2 (before 1770)
  • Concerto for 2 barytons in D, Hob. XIII:3 (before 1770)

For harpsichord, organ or piano[edit]

  • Keyboard Concerto No. 1 in C, Hob. XVIII:1 (1756)
  • Keyboard Concerto No. 2 in D, Hob. XVIII:2 (1767)
  • Keyboard Concerto No. 3 in F with Horns and strings, Hob. XVIII:3 (1771)
  • Keyboard Concerto No. 4 in G, Hob. XVIII:4 (1770)
  • Keyboard Concerto No. 5 in C with strings, Hob. XVIII:5 (1763)
  • Keyboard Concerto No. 6 in F with violin and strings (Double Concerto), Hob. XVIII:6 (1766)
  • Keyboard Concerto No. 7 in F, Hob. XVIII:7 (exists with a different slow movement as the piano trio Hob. XV:40)
  • Keyboard Concerto No. 8 in C, Hob. XVIII:8 (1766)
  • Keyboard Concerto No. 9 in G, Hob. XVIII:9 (doubtful authenticity,} 1767)
  • Keyboard Concerto No. 10 in C, Hob. XVIII:10 (1771)
  • Keyboard Concerto in F, Hob. XVIII:F1
  • Keyboard Concerto in F, Hob. XVIII:F2
  • Keyboard Concerto No. 11 in D, Hob. XVIII:11 (1779–80) 1st mvmnt

On the above list, where as noted No. Download jar launcher. 9 is doubtful, only Nos. 3, 4, and 11 are considered confirmed as genuine.[4]

Two works often identified and even published as piano concertos by Haydn, and commonly taught to younger piano students, are actually Divertimenti, grouped in Hob. XIV. Specifically, they are Hob. XIV:3 (the 'Little Concerto' in C major), and Hob. XIV:4 (another 'concerto' in C major). However, another work of similar technical difficulty that is also identified and published as a concerto is the Concerto in F, Hob. XVIII:F1.

Islam di minangkabau. It is also spoken in some parts of, especially. Map of Minangkabau language in Sumatra is shown by light and dark olive Minangkabau ( autonym: Baso Minang(kabau);: Bahasa Minangkabau) is an spoken by the of, the western part of,, the northern part of and, also in several cities throughout by migrated Minangkabau. Due to great grammatical similarities between the Minangkabau language and, there is some controversy regarding the relationship between the two. The language is also a along the western coastal region of the province of, and is even used in parts of, where the language is called Aneuk Jamee.

See Also[edit]

Notes[edit]

  1. ^ abcdHC Robbins Landon, Haydn: Chronicle and Works, 5 vols, (Bloomington and London: Indiana University Press, 1976-) v. 1, Haydn: the Early Years, 1732-1765
  2. ^IMSLP Score
  3. ^Pictures of lire organizzatta
  4. ^Threasher, David. 'HAYDN Keyboard Concertos Nos 3, 4 & 11'. gramophone.co.uk. Retrieved 11 January 2019.

References[edit]

  • The New Grove Encyclopedia of Music and Musicians offers a complete list, with the current best-estimate dating, of Haydn's concertos and other works. The listing is repeated in the spin-off volume by Webster and Feder, The New Grove Haydn.

What Are Program Notes

Retrieved from 'https://en.wikipedia.org/w/index.php?title=List_of_concertos_by_Joseph_Haydn&oldid=904931522'

Ibert Flute Concerto Sheet Music


I had the good fortune to see Emmanuel Pahud play Ibert's delightful Flute Concerto live, and believe me everything you hear on this disc is true. There's no need for the engineers to spotlight the solo flute. This guy's tone is simply huge. He can hold his own against just about anything the orchestra throws at him (check out the finale), and this performance of Ibert's witty neo-classical essay is simply the last word in virtuosity and timbral richness combined with truly French finesse. The outer movements bustle along with insouciant verve, while the central Andante is nicely 'sec'--touching without ever becoming sentimental. Through it all Pahud's fat, liquid tone dances among the
Read more instruments, reveling in being the life of the party. Ibert's Pièce for Solo Flute makes for a delicious appetizer preceding the concerto.
The first item on this disc, though, is a horse of a very different color: Khachaturian's Flute Concerto, better known as his Violin Concerto, here in Rampal's popular transcription. While I ordinarily detest this sort of thing outside of Baroque music, the fact is that the piece sounds perfectly fine on the flute, being constructed simply as a series of alternating statements between the boisterous full orchestra and the simply accompanied soloist. In short, there isn't much (musically speaking) that the violin has to do that doesn't sound equally fine on the flute, especially when played as here without a trace of breathiness or hollow timbre. David Zinman's accompaniments fit Pahud like a hand in a glove, and the sound is extremely vivid and well balanced. The opening of the Khachaturian finale will blow you through the back wall of your listening room. An extraordinary disc, by any measure. [9/20/2003]
--David Hurwitz, ClassicsToday.com Read less
p2umi.netlify.com – 2018